An Unofficial Rose by Iris Murdoch

By Iris Murdoch

 A strong novel of a family’s look for love amid the wreckage of failed relationships An Unofficial Rose is a narrative of a father and son, either disappointed with their lives, and either in love with somebody except their other halves. whereas the daddy, a widower, regrets by no means leaving his spouse for his mistress, the son seeks any chance to flee his boring marriage. Written with Murdoch’s masterful mix of comedy and tragedy, An Unofficial Rose is a compelling tale of affection, remorse, and the complexity of human relationships.

 

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Ebook Details:

ISBN: 9780871131430
EAN: 9780871131430
ASIN: 0871131439
Publisher: Atlantic per month Press
Publication Date: 1994-04-21
Number of Pages: 249
Website: Amazon, LibraryThing, Google Books, Goodreads

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Additional info for An Unofficial Rose

Sample text

37 Introduction investigated liturgical and political significances that the Quarto text may have held for King James and his court in the performance given, as we know, on St Stephen’s Night, 1606—a feast day on which ‘the high were to look out in pity on the tribulations of the low’ (p. 154). 1 The constitution of the acting company available to Shakespeare inevitably helped to shape the play. 3 We know too little about individual actors, but there is no question that Richard Burbage was the company’s principal tragedian, and Shakespeare must have had him very much in mind as he wrote.

154). 1 The constitution of the acting company available to Shakespeare inevitably helped to shape the play. 3 We know too little about individual actors, but there is no question that Richard Burbage was the company’s principal tragedian, and Shakespeare must have had him very much in mind as he wrote. Born in 1568, he was under forty years old when he first played the octogenarian Lear. It is a demanding role, physically as well as mentally, and many of the best performances in later times have been given by actors much younger than the character.

Edgar’, writes Michael Goldman, ‘must be filthy, grotesque, very nearly naked, and bear on his body evidence of horrible mutilation. ’2 Though the play’s landscape is pagan J. C. Trewin, Shakespeare on the English Stage 1900‒1964 (1964), p. 221. Michael Goldman, Shakespeare and the Energies of Drama (Princeton, 1972), p. 97. 1‒3). In Shakespeare’s time, indeed, the play would, so far as we can tell, have been performed in contemporary costume, though not necessarily in the everyday dress of members of the audience.

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