And Picasso Painted Guernica by Alain Serres

By Alain Serres

Readers can come nose to nose with an striking artistic spirit during this appealing publication for kids approximately Picasso, his trip as an artist, and the way he painted his iconic paintings, Guernica Picasso's creative genius used to be transparent from adolescence. This extraordinary ebook starts off with the doves younger Pablo painted along with his father while he used to be merely seven, then highlights his later passions for harlequins and road humans, bulls and minotaurs, new methods of seeing, and new methods of rendering lifestyles. All of those contributed to the big paintings 1937 Guernica, painted as a protest opposed to the bombing of defenseless civilians and opposed to the brutality of battle all over. it's a biography of either an epoch-making artist and a special portray that resonated with the outrage of individuals worldwide. not only a stunning e-book, with many operating drawings, images, and full-color work, this can be additionally a desirable perception into the artistic approach. on the middle of the e-book is the full paintings, unfold throughout an eight-page gatefold.

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He€lived in Vallauris, Cannes, Vauvenargues and finally Mougins, where he died on€8€April 1973, aged€91. The g oat , 1963 1950 51 In Guernica there is now a peace museum. html. org/ Image copyrights •Â€Details from the final version of Guernica © Photographic archives of the Reina Sofia National Art Museum, Madrid, Spain: cover, pages 5, 26 bottom right, 27 top, 27 bottom left, 29 top right, centre & bottom, 52 •Â€© Photographic archives of the Reina Sofia National Art Museum, Madrid, Spain: pages 21 bottom, 23 top, 23 centre left, 23 bottom, 24 top, left, centre & right, 25 left, 26 bottom left, 27 bottom right, 29 top left, 31, 32, 33, 34 •Â€© RDM Archives: page 20 top •Â€© AFP: pages 4 (Txema Fernandez), 54 (Dominique Faget) •Â€© The Bridgeman Art Library – Giraudon: pages 7, 14 bottom, 15, 37, 39, 41 bottom, 51 bottom (Picasso Museum, Paris, France); page 8 centre left (Picasso Museum, Barcelona, Spain); page 10 left (Pushkin Museum, Moscow, Russia); page 11 bottom (Konstmuseum, Göteborg, Sweden); page 14 top (Narodni Gallery, Prague, Czech Republic); page 51 centre top (private collection) •Â€© The Bridgeman Art Library: pages 8 top and centre right (Picasso Museum, Barcelona, Spain – index); page 9 (National Gallery, London, UK); page 10 bottom (private collection, Charmet Archives); page 12 (The Barnes Foundation, Merion, Pennsylvania, USA); page 13 (the Museum of Modern Art, New York, USA); pages 42–3 (Picasso Museum, Antibes, France) pages 44–5, 49 (private collection); •Â€© Edward Quinn: pages 48, 50 •© Gamma: 4th cover (Lucien Clergue), pages 2 (Marc Deville), 53 (Éric Vandeville), 6 •Â€© Keystone: pages 18–19 •Â€© Magnum Photos: pages 3 (Alex Webb), 17 (Robert Capa) •Â€© Rosengart Museum Collection, Lucerne, Switzerland: page 38 •Â€© Picasso Museum, Barcelona, Spain – Ramon Muro: page 8 bottom •Â€Photos by Dora Maar, 1937 © Adagp, Paris, 2007 / Picasso Museum, Paris, France) © RMN: pages 21 top ‘Picasso preparing his paints’ (Franck Raux); 23 centre right, ‘Picasso crouching to work on Guernica’ (Franck Raux); 25 top, ‘Guernica, stage I’ (Franck Raux); 25 right, ‘Picasso on a ladder, paintbrush in hand, in front of Guernica’ (Franck Raux); 26 top, Guernica, stage II’ (Franck Raux), 27 middle, ‘Picasso sitting on the ground and working on Guernica’ (Franck Raux); 28 top ‘Guernica, stage V’ (Michèle Bellot); 28 centre, ‘Guernica, stage VI’ (Franck Raux); 28 bottom, ‘Guernica, stage VII’ (Jeanâ•‚Gilles Berizzi); 30–5, ‘Picasso crouching to work on Guernica’ (Franck Raux) •Â€© Picasso Museum, Paris, France – RMN: pages 14 left, 22 top, 51 top (Béatrice Hatala); page 22 bottom (Gérard Blot) •Â€© National Picasso Museum, Vallauris, France – RMN: pages 46, 47 (Patrick Gérin); pages 46–7 centre (Renéâ•‚Gabriel Ojéda) •Â€© National Museum of Modern Art – Georges Pompidou Centre, Paris, France – Christian Bahier and Philippe Migeat – CNAC/ MNAM/RMN: page 11 top •Â€© Berggruen Museum, National Gallery, BPK, Berlin, Germany – Jens Ziehe – RMN: page 10 top •Â€© National Museum of Ceramics, Sèvres, France – Martine Beck-Coppola – RMN: page 51 bottom centre •Â€© Düsseldorf Museum, Germany – 1990, Scala, Florence, Italy: page 40 •Â€© 2007, Digital image, The Museum of Modern Art, New York, USA – Scala, Florence, Italy: pages 16, 36, 41 top •Â€© TopFoto – Rogerâ•‚Viollet: page 20 bottom •Â€© Mario Cristóbal Domínguez : page 55.

P l at e , d e co r at e d w i th th e fac e o f a fa u n , From 1948 onwards, Picasso settled in the south of France. He€lived in Vallauris, Cannes, Vauvenargues and finally Mougins, where he died on€8€April 1973, aged€91. The g oat , 1963 1950 51 In Guernica there is now a peace museum. html. org/ Image copyrights •Â€Details from the final version of Guernica © Photographic archives of the Reina Sofia National Art Museum, Madrid, Spain: cover, pages 5, 26 bottom right, 27 top, 27 bottom left, 29 top right, centre & bottom, 52 •Â€© Photographic archives of the Reina Sofia National Art Museum, Madrid, Spain: pages 21 bottom, 23 top, 23 centre left, 23 bottom, 24 top, left, centre & right, 25 left, 26 bottom left, 27 bottom right, 29 top left, 31, 32, 33, 34 •Â€© RDM Archives: page 20 top •Â€© AFP: pages 4 (Txema Fernandez), 54 (Dominique Faget) •Â€© The Bridgeman Art Library – Giraudon: pages 7, 14 bottom, 15, 37, 39, 41 bottom, 51 bottom (Picasso Museum, Paris, France); page 8 centre left (Picasso Museum, Barcelona, Spain); page 10 left (Pushkin Museum, Moscow, Russia); page 11 bottom (Konstmuseum, Göteborg, Sweden); page 14 top (Narodni Gallery, Prague, Czech Republic); page 51 centre top (private collection) •Â€© The Bridgeman Art Library: pages 8 top and centre right (Picasso Museum, Barcelona, Spain – index); page 9 (National Gallery, London, UK); page 10 bottom (private collection, Charmet Archives); page 12 (The Barnes Foundation, Merion, Pennsylvania, USA); page 13 (the Museum of Modern Art, New York, USA); pages 42–3 (Picasso Museum, Antibes, France) pages 44–5, 49 (private collection); •Â€© Edward Quinn: pages 48, 50 •© Gamma: 4th cover (Lucien Clergue), pages 2 (Marc Deville), 53 (Éric Vandeville), 6 •Â€© Keystone: pages 18–19 •Â€© Magnum Photos: pages 3 (Alex Webb), 17 (Robert Capa) •Â€© Rosengart Museum Collection, Lucerne, Switzerland: page 38 •Â€© Picasso Museum, Barcelona, Spain – Ramon Muro: page 8 bottom •Â€Photos by Dora Maar, 1937 © Adagp, Paris, 2007 / Picasso Museum, Paris, France) © RMN: pages 21 top ‘Picasso preparing his paints’ (Franck Raux); 23 centre right, ‘Picasso crouching to work on Guernica’ (Franck Raux); 25 top, ‘Guernica, stage I’ (Franck Raux); 25 right, ‘Picasso on a ladder, paintbrush in hand, in front of Guernica’ (Franck Raux); 26 top, Guernica, stage II’ (Franck Raux), 27 middle, ‘Picasso sitting on the ground and working on Guernica’ (Franck Raux); 28 top ‘Guernica, stage V’ (Michèle Bellot); 28 centre, ‘Guernica, stage VI’ (Franck Raux); 28 bottom, ‘Guernica, stage VII’ (Jeanâ•‚Gilles Berizzi); 30–5, ‘Picasso crouching to work on Guernica’ (Franck Raux) •Â€© Picasso Museum, Paris, France – RMN: pages 14 left, 22 top, 51 top (Béatrice Hatala); page 22 bottom (Gérard Blot) •Â€© National Picasso Museum, Vallauris, France – RMN: pages 46, 47 (Patrick Gérin); pages 46–7 centre (Renéâ•‚Gabriel Ojéda) •Â€© National Museum of Modern Art – Georges Pompidou Centre, Paris, France – Christian Bahier and Philippe Migeat – CNAC/ MNAM/RMN: page 11 top •Â€© Berggruen Museum, National Gallery, BPK, Berlin, Germany – Jens Ziehe – RMN: page 10 top •Â€© National Museum of Ceramics, Sèvres, France – Martine Beck-Coppola – RMN: page 51 bottom centre •Â€© Düsseldorf Museum, Germany – 1990, Scala, Florence, Italy: page 40 •Â€© 2007, Digital image, The Museum of Modern Art, New York, USA – Scala, Florence, Italy: pages 16, 36, 41 top •Â€© TopFoto – Rogerâ•‚Viollet: page 20 bottom •Â€© Mario Cristóbal Domínguez : page 55.

37 Girl w i t h b oat (M aya ), 1938 The best way to overcome barbarity 38 Marie-Thérèse is Maya’s mother. P o rt r a it o f M a r i e -T h É r È s e , 1937 must surely be to let the colours of life sing out. 39 However, 1939 is a year of despair. In€springtime, not long after the death of Picasso’s mother, the Spanish Republic is no more. Once again, war has the last word: fighting breaks out at the end of summer, and, for the second time, it is a world war. S t i ll li f e w i t h cow ’ s s ku ll , 1942 For five long years, darkness reigns.

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